Bloom's Period Studies Harold Bloom Modern American Poetry (2005)

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1984.Miller, Cristanne.Marianne Moore: Questions of Authority.Cambridge, MA:Harvard University Press, 1995.Miller, J.Hillis.The Linguistic Moment: From Wordsworth to Stevens.Princeton: Princeton University Press, 1985. .Poets of Reality.Cambridge, MA: Harvard University Press, 1966.Nelson, Cary.Repression and Recovery: Modern American Poetry and the Politicsof Cultural Memory, 1910 1945.Madison: University of WisconsinPress, 1989.North, Michael.The Political Aesthetic of Yeats, Eliot, and Pound.Cambridge:Cambridge University Press, 1991.Pack, Robert.Belief and Uncertainty in the Poetry of Robert Frost.Hanover:Middlebury College Press, 2003.Parisi, Joseph.Marianne Moore: The Art of a Modernist.Ann Arbor:University of Michigan Research Press, 1987.Pearce, Roy Harvey.The Continuity of American Poetry.Princeton: PrincetonUniversity Press, 1961.Perloff, Marjorie.The Dance of the Intellect: Studies in the Pound Tradition.Cambridge: Cambridge University Press, 1985. .The Poetry of 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Austere: Culture, Psyche, and Persona inModern Women Poets.Bloomington: University of Indiana Press, 1991.Weaver, Mike.William Carlos Williams: The American Background.Cambridge: Cambridge University Press, 1971.Whitaker, Thomas R.William Carlos Williams.New York: Twayne, 1968.Witmeyer, Hugh.The Poetry of Ezra Pound.Berkeley: University ofCalifornia Press, 1981.Yingling, Thomas.Hart Crane and the Homosexual Text.Chicago: Universityof Chicago Press, 1990.Acknowledgments Motives and Motifs in the Poetry of Marianne Moore by Kenneth Burkefrom A Grammar of Motives.� 1969 by The Regents of the University ofCalifornia.Reprinted by permission. Mauberley by Hugh Kenner from The Poetry of Ezra Pound.� 1968 byNew Directions Publishing Corp.Reprinted by permission of NewDirections Publishing Corp. The Shadow of a Myth by Alan Trachtenberg from Brooklyn Bridge: Factand Symbol.� 1965 by Alan Trachtenberg.Reprinted by permission. Open to the Weather by Thomas R.Whitaker from William CarlosWilliams.� 1968 by Twayne Publishers, Inc.Reprinted by permission ofThe Gale Group. Douceurs, Tristesses by Helen Vendler from On Extended Wings: WallaceStevens Longer Poems.� 1969 by the President and Fellows of HarvardCollege.Reprinted by permission. New Modes of Characterization in The Waste Land by Robert Langbaumfrom Eliot in His Time, ed.A.Walton Litz.� 1973 by Princeton UniversityPress.Reprinted by permission of Princeton University Press.475476Acknowledgments Soundings for Home by Richard Poirier from Robert Frost: The Work ofKnowing.� 1977 by Oxford University Press, Inc.Reprinted by permission. How Shall I Be Mirror to This Modernity: William Carlos Williams s Paterson by James E.Miller, Jr.from The American Quest for a SupremeFiction: Whitman s Legacy in the Personal Epic.� 1979 by the University ofChicago.Reprinted by permission. Late Poems: Places, Common and Other by Eleanor Cook from Poetry,Word-Play, and Word-War in Wallace Stevens.� 1988 by Princeton UniversityPress.Reprinted by permission of Princeton University Press. Helmet of Fire: American Poetry in the 1920s by Edward Hirsch from AProfile of Twentieth-Century American Poetry, ed.Jack Myers and DavidWojahn [ Pobierz całość w formacie PDF ]

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